Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Marie Bracquemond
melancholy

ID: 56173

Marie Bracquemond melancholy
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Marie Bracquemond melancholy


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Marie Bracquemond

French Impressionist Painter, 1840-1916 .was a French Impressionist artist described by Gustave Geffroy in 1894 as one of the "le trois grandes dames" of Impressionism alongside Berthe Morisot and Mary Cassatt.However, her often omission from books on women artists indicate the success of her husband, F??lix Bracquemond, in his campaign to thwart her development as an artist.  Related Paintings of Marie Bracquemond :. | melancholy | The Woman in White (nn02) | The Lady in White | La Dame en blanc | The Artist Son and Sister in the Garden at Sevres |
Related Artists:
Simon Pietersz Verelst
(1644, The Hague - 1710, London), was a Dutch Golden Age painter. According to the RKD he was the son of Pieter Harmensz Verelst and became a pupil in the Confrerie Pictura at the same time as his brother Herman in 1663. In 1668 he moved to London and called himself "the God of Flowers", but is known for portraits as well as flower and fruit still life paintings.
Hindu painter
Richard Ettinghausen believes this work to have been painted in Agra in about 1625
Bernardino Fungai
Italian 1460-1516 Italian painter. He is recorded in 1482 as Benvenuto di Giovanni garzone at work on the monochrome frescoes decorating the drum of the cupola of Siena Cathedral. Most scholars have accepted Benvenuto as Fungai teacher but stress the greater influence of Matteo di Giovanni; other proposals have included Giovanni di Paolo and, following the reattribution of paintings traditionally ascribed to Giacomo Pacchiarotti, Pietro Orioli. Fungai depended heavily on the preceding generation of Sienese painters and was considerably influenced by the contemporary activity of Pietro Perugino, Luca Signorelli and Bernardino Pinturicchio in and around Siena. His works are characterized by the docility of the figures, a keen decorative sensibility in the use of colour and the treatment of drapery and landscape, and a pleasantly engaging narrative skill. Although identification of works from his early career is problematic, a sizeable oeuvre has been ascribed on the basis of a signed and dated altarpiece executed for S Niccole al Carmine depicting the Virgin and Child Enthroned with SS Sebastian, Jerome, Nicholas and Anthony of Padua (1512; Siena, Pin. N.).






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